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Stefano Bernardi : ウィキペディア英語版 | Stefano Bernardi
Stefano (or Steffano) Bernardi (ca. 1577 – 15 February 1637), also known as "il Moretto", was an Italian priest, composer and music theorist.〔Magnabosco (2007) p. 23. There is considerable variation in Bernardi's birth date given in various sources. Magnabosco provides an exact death date but gives the birth date as ca. 1575. Other Italian sources, such as Gatti and Basso (1968) give it as ca. 1576, while Marionni (2004) gives it as 1577 or 1578. Austrian sources, e.g., Heinisch (1991) and Schimek (1995) give it as 1577. Note that English language sources, e.g., Roche and Roche, Arnold (1983), and Randel (1996) give his birth date as the improbably late ca. 1585 and his death date and place as "1636?, probably Salzburg".〕 Born in Verona and ''maestro di cappella'' at the Verona Cathedral from 1611 to 1622, he later moved to Salzburg, where he was responsible for the music at the Salzburg Cathedral and composed a ''Te Deum'' for 12 choirs performed at the cathedral's consecration in 1628. Bernardi's career spanned the transition from late Renaissance music to early Baroque, with some of his works in the polyphonic style of Palestrina and others in the new ''concertato'' style.〔Roche and Roche〕 He composed both sacred and secular music, including several masses and motets as well as sinfonias and three books of madrigals. He also wrote a treatise on counterpoint published in 1615. ==Biography== Bernardi was born in Verona and educated at the ''Scuola Accolitale'' (Acolyte College) attached to the Verona Cathedral,〔Magnabosco (2007) p. 22. Verona's ''Scuola Accolitale'' provided religious, literary and musical education primarily for young men preparing for the priesthood (see Paganuzzi).〕 where he also sang in the choir under Ippolito Baccusi.〔 By 1602 he was a paid musician at the court of Count Mario Bevilacqua and at the Accademia Filarmonica in Verona. In 1606, the ''Accademia'' elevated his position to ''maestro della musica'' (Music Master). The following year Bernardi went to Rome for further training and stayed there for four years, becoming the ''maestro di cappella'' of Santa Maria ai Monti in 1610. He returned to Verona in 1611 when he was offered the same position at the Verona Cathedral as the successor to Francesco Anerio. He held that post until 1622 and during that time was also closely associated with the Accademia Filarmonica. He published a treatise on counterpoint, ''Porta musicale'', in 1616 primarily for the students at the ''Scuola Accolitale'' where he also taught. Amongst his students in Verona in those years were Antonio Bertali and Pietro Verdina.〔Jensen (1992) p. 26〕 In 1622 Bernardi left Verona to take up a post as Director of Court Music to Archduke Carl Joseph, Bishop of Breslau and Brixen.〔Archduke Carl Joseph (1590–1624) was the younger brother of Ferdinand II, Holy Roman Emperor.〕 Following the Archduke's death in 1624, Bernardi settled in Salzburg, where he was to become the Director of Court Music for Paris von Lodron, the Prince-Bishop of Salzburg,〔Paris of Lodron (1586–1653) was the Prince-Bishop of Salzburg from 1619 to 1653. He is credited with leading the city to peace and prosperity during the Thirty Years War and founded the University of Salzburg.〕 a position he held until 1634. As such, he was also deeply involved in the musical life of Salzburg Cathedral, where he was one of the first composers to introduce the new Italian ''concertato'' style.〔Buelow (2004) p. 231〕 For its consecration in 1628, Bernardi composed a ''Te Deum'' (music now lost) sung by twelve separate choirs placed in the various marble galleries of the cathedral.〔Sadie, Stanley (2006) p. 4.〕 While in Salzburg, he was ordained a priest and also received a doctorate in canon and civil law. Towards the end of his life, Bernardi returned to Verona where he died in 1637.〔Magnabosco (2007) p. 23〕
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